Apologia Pro Vita Sua
by John Henry Newman
Zen and Japanese Culture
by D. T. Suzuki
I've been reading through Suzuki, and he's been making some points about logic which both intrigue and infuriate me. I'll try to cover why he is (at times) so anti-logic, the points at which I have my sympathies, and the points at which I think he is way off.
The first reason why Suzuki is against intellectualizing the world is nothing terribly particular to Zen. He claims that in conceptualizing things, we can lose track of the things themselves; what we really need is direct acquaintance with reality. I call this the practical anti-logic thesis: avoid logic if it is causing you to get caught up in the words instead of the reality. Ok, fine; but I find that to be pretty obvious advice. That's not to say that I don't get caught up in concept fixation at times, but I already recognize that as less than ideal. Any church I walk into will stress the need for a personal involvement instead of just a "head knowledge" of the faith.
So, there has to be more to Suzuki's position than this, though the above plays a pretty significant role (I may do a post sometime on his view of subjectivity). And this is were what I call the ontological anti-logic thesis steps in: the world just is not conducive to logical analysis. Note that, as I have been saying in previous posts, this does not entail that the law of non-contradiction is false. Suzuki doesn't care enough about abstracta to deal with that question. All that has to hold is that any application of logic distorts the world. The world is a totality, but not in a pantheistic way; full of particulars which each possess their source equally. I'm not quite sure what he's talking about either, but I don't see anything prima facie wrong with stating that reality is neither one nor many. Sure, such a reality would not fit into any nice categories of ours, but why should I assume that it would?
In connection with this, there seems to be two main places where logic breaks down throughout different philosophical schools, and upon which I think Suzuki and the Buddhist tradition draw. One is when dealing with human conceptual constructions. Of course, if we create the conceptual scheme, then there is no guarantee that it will prove consistent. Further, the scheme may end up being practical even if it fails logical tests; it may even be conducive to learning the truth about the way the world is (I should hope so; I doubt that my thoughts ever will be fully coherent, but I would like to think that I'll achieve something in my searches). So it may even make sense to hold to a contradiction, because although it is imperfect, it could be better than any other option we see. This is even more true if reality simply isn't conducive to logical analysis, in which case we need something (however imperfect) by which to communicate to others with our feeble attempts. The second area where logic seems to break down is with the will; but that is a different series.
So, given all of this, where do I have problems with Suzuki? With his emphasis on creative freedom instead of order. If conceptual schemata are all under a curse, it seems that there should be a place for form as well as formlessness (as in Mahayana Buddhism, form is formlessness, and vice versa). Zen monasteries are some of the most rigid out there. And my particular beef with Suzuki is the prioritizing of the creative artist's approach to an intuitive grasp of reality, while denigrating the analytic approach. As a former mathematician and a wannabe mediaevalist, I firmly disagree. Much of my life is about reaching and expressing my intuitive insights through logic. At times I fall apart into an illogical muddle, but this is hardly when I am at my best and when I have the clearest intuitions about reality. Rather, it is in the midst of Galois theory when I have a mystical vision of the beguiling, entrancing wholeness of all form, or in the subtleties of the Doctor Subtilis that I have my most encompassing vision of the reality of God as the ultimate final, efficient, and exemplar cause of all, the source of all harmony and diversity within unity. To posit such a sharp distinction between logical analysis and intuitive feeling is opposed to Suzuki's very project of removing dualities.